As you may or may not be aware, Dollhouse by Joss Whedon ended last night after 2 seasons and 26 episodes. Yeah, 26 episodes. That's like 1 full season of a normal TV show. So, lets pause here for a moment and rant about Fox.
Fox is clearly frightened of TV that might fail to attract more than 80% of the TV viewing population. Stupid Fox. Sing it loud, Family Guy and Futurama: Fox Sucks. Fox, how I hate you. It's like you get some kind of sick thrill out of making awesome TV shows and then pulling the plug on them just as they're becoming really epic for fear that they might take away viewers from your pathetic little reality shows or whatever other crap you have.
Seriously: Stop that. It's not cool, man, it's not cool. Now we move back to Dollhouse.
So, what was my reaction to the ending of Dollhouse? It's in the title. Whiskey. Tango. Foxtrot. If Dollhouse had ended after 25 episodes, I would have had a warm, fuzzy feeling. The flash-forward to the future where they decided to Really, For Real, We're So Sure This Time That It'll End, End the show... eh. I mean, hell, it gets an A+ in Mindfuckery. It gets an F- in Not Killing Awesome People!!
Helo Paul freaking DIES with as much drama as Wash did in Serenity or Uncle Derek got in Terminator. Alive one second, DEAD the next, killed by a random extra and left on the ground to rot. Unlike Wash or Uncle Derek, Paul was one of the two Main Leads! After all the crazy stuff that happened, everyone else who died, you'd think they could have let Echo and Paul have their Happily Ever After in the decimated ruins of the post-apocalyptic world. But NO! So Paul dies.
And then! At the very end, Echo imprints herself with Paul's identity, adding him to the collection of other random mind-brains inside her skull so they can be together in spirit forever. Yeah. Her boyfriend is a computer-ghost living inside her head. That's just going to make having Relations all sorts of awkward. Or really simple, it depends on your perspective. Paul may have to get used to being a semi-embodied ghost living in a female's skull. I foresee the relationship being strained by his lack of body.
But who knows, this is a world where Mad Science has perfected the ability to download your entire being into a hard drive and upload it on demand into any body, to destroy personalities by remote and carry around PhDs on a flashdrive that you can synch with through a speaker held to your Cybernetic Bluetooth Tattoo. Somewhere someone learned how to grow a human clone and they can upload Paul-Ghost into Clone-Paul and him and Echo can have perfectly normal Ghost-Clone / Human Brain Salad relations. What? It makes more sense than the ending of Terminator: Salvation! Shuddap.
So, was Dollhouse good? Yes, Dollhouse was amazing. It had a strong ensemble cast. Virtually no one in Dollhouse was less than excellent at their role. Special shout-outs to Diechen Lachman (Sierra), Enver Gjokaj (Victor) as well as Tahmoh Penikett (Paul). I'd give a shout out to everyone, but those three really took the cake. I'm still a huge fan of Penikett's work as Helo on BSG, but he was probably even better as Paul Ballard. The plot works, which is saying something for current TV shows. Everything ties together really well and by the end, it all comes together with a real sense of finality and accomplishment. The show had a story to tell and it told it. It may have gotten cut off early, but it told the story anyway. In fact, I'm not sure that it would have been improved by going longer.
I have to give it to Dollhouse, the show managed something really rare: It was episodic, yet coherent. You could miss a few shows and still know (mostly) what was going on and follow the story fairly well. All that without extraneous exposition or excessive explanation. Good job, show.
Did it end well? Yes, it did. Even with the lack of Happily Ever After for the main couple, it still ended well. The bad guys got what was coming to them (off-screen), the world is saved (..kinda) and at least 1/3rd of the cast survived to live meaningful lives. The deaths (aside from Paul's) felt necessary or at least they worked with the character's story and brought it to an acceptable close. November's demise was jarring and painful, but it was meant to be.
My single objection on the subject of character death is still Paul. Did it add anything to the story for him to get shot in the head by a mook? Not really. Sure, it gives Echo a chance to throw a big Grief-Rage tantrum and be very sad, but that was 5 minutes. Otherwise, his death was pretty much shoved to the side. The resolution of bringing him back as a code-ghost in Echo's brain...yeah, that's just so mindfuckery that I don't know how to react. Honestly, if he'd survived, I'd have enjoyed the ending more.
Good Deaths
- Topher sacrificed himself to make amends for accidentally destroying the world.
- Boyd got what was coming to him for being Crazy Evil.
- November sacrificed herself for True Love and Free Will.
- Mellie (who was also November, but not) lost her personality to the Dollhouse forever (died) because she decided to stand up for what she believed in and take a risk.
- Summer Glau died, well, because her character was introduced so late there wasn't time to really take that relationship anywhere and they couldn't fit her into the flash-forward. But I didn't see her going anywhere anyway, so death was acceptable.
- Whiskey died (off-screen, maybe?) after apparently coming to terms with her existence and making a sacrifice to save others.
- The Bad Guys died (off-screen) as a result of their Evilness and Bad Choices. Harding deserved it richly because we find out that after the world ends, he dumps his Old Geezer body and hijacks strong, handsome male bodies (he calls them 'suits'), then just indulges himself endlessly until the body is too ruined by obesity and disease to be useful, or until Echo kills his ass. One of the most disturbing scenes of the Finale was Fat-Harding inspecting a line of manacled, brain-wiped, buck-naked men to decide which would be his next 'suit'. He is distracted by finding Paul in the line (only pretending brain-wipery) and flees before Paul opens a can of Naked Badass Whupass on the room.
Bad Deaths
- Paul. Still stuck on that.
- Summer Glau might go here, actually. Upon consideration, if the show had not been cancelled, I really can see her character becoming very strong. Given that she only had 5 episodes, though, there was no where for her to go. Her death helped Topher's madness make sense. We'll call this one an Uncertain Death. Good given the short run, bad in a Perfect World.
Conclusion: Dollhouse = Epic, Fox = Fail, Paul = Dead. Mood = Happy, but not Ecstatic. It was at least 36 times better than the ending of Stargate SG-1 or Stargate Atlantis, neither of which ENDED! There were no resolutions at all! Nothing happened! RAAAGE!